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YAMAHA / FSX5 Vintage Natural (VN) [20]

Serial Number : IIY245A

[SN IIY245A] YAMAHA / FSX5 Vintage Natural (VN) [20]

Item Code: 20-1R9L5N0JK-245A
Condition: NEW
Store: [20] fukuoka

通常価格 ¥183,340 JPY
通常価格 セール価格 ¥183,340 JPY
セール 売り切れ
配送料はチェックアウト時に計算されます。
If you would like to make a bank transfer, please give us an e-mail with name of your request item.
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For customers residing in Japan
<Solid Sitka spruce is used for the front board.
The top is made of solid Sitka spruce with A.R.E.. The top is made of solid Sitka spruce with A.R.E. The rich sound of the new instrument is as if it has been played for many years, and the warm mid-low range of the mahogany wood gives the instrument a powerful resonance. The cohesive sound is ideal for chord strokes or rhythmic fingerstyle playing.

<Solid mahogany is used for the side backboard.
The side and back are made of solid mahogany. The side and back are made of solid mahogany for a warm and rich midrange that is unique to mahogany.

<Cow bone upper and lower bridge pieces
The upper and lower bridge pieces are made of cow bone (#5 grade only). The bone is extremely hard and allows for more effective transmission of sound from the strings to the neck and body. The installation and adjustment of the ox bone nut requires a high level of skill, and each guitar is carefully crafted in Japan by skilled guitar craftsmen.

<Newly developed scalloped bracing
The scalloped bracing used on the FG/FS#800 series has been improved through a combination of pseudo prototyping using the latest acoustic analysis simulation technology and prototyping by wood craftsmen. The scalloped bracing used in the FG/FS#800 series has been optimized to match the characteristics of the wood itself and the FG and FS models to achieve further expansion of the low frequency range.

<A.R.E. (Acoustic Resonance Enhancement) processing
Yamaha's proprietary Acoustic Resonance Enhancement (A.R.E.) process is applied to the surface plate. By precisely controlling temperature, humidity, and atmospheric pressure, the same changes that occur over time in lumber after it has been milled are produced in a short period of time, thereby improving sound transmission and vibration efficiency. A.R.E. processing produces a warm, matured sound with a good balance and fewer annoying overtones, making it sound like a guitar that has been played for many years.

<The newly developed "Atmosfeel" pickup system is installed.
The newly developed Atmosfeel 3-way pickup system consists of three different pickups that reliably capture each frequency range: a piezo sensor in the undersaddle for the mid and low frequencies, a microphone in the preamp for the low frequencies, and a proprietary, extremely thin contact sensor for the high frequencies. By adding a contact sensor made of thin and durable piezoelectric synthetic paper inside (near the back of the bridge), we were able to reproduce the cohesiveness of string vibrations coming out of the soundhole, the lingering sound of each string, the touch feeling when fingering, and the airy and delicate sound brought by the overtone component in the upper register, which conventional pickups could not pick up. and delicate sound. The sound of a live acoustic guitar is reproduced as it is in the line out.

Main Specifications
Fork body type
Body length 497mm
Body width (max.) 380mm
Body thickness 90-110mm
string length 634mm
Total length 1021mm
Fingerboard width(upper bridge/body joint)44mm/55mm
Top boardSolid Sitka spruce A.R.E.
Bracing ShapeScalloped bracing
Back BoardSolid Mahogany
SideboardSolid mahogany
Neck Mahogany
Fingerboard ebony or striped ebony
ebony or striped ebony for the lower bridge
Pillow Cattle bone
Spindle Crewson, open gear (Y1D)
Cattle bone for upper bridge
Paint Semi-gloss finish
Pickup SystemSYSTEM74(Hybrid 3-way system)Atmosfeel
ControllerEQ(Bass)/Master Volume/Mic Blend
Serial: IIY245A
Weight: 2.14kg
Accessories:Hard case, sound hole cover, batteries
<表板にはシトカスプルースソリッドを採用>
TopはA.R.E.を施したシトカスプルースソリッドを採用。 新品でありながら長年弾きこんだかのような豊かな鳴りと、マホガニー材ならではの暖かみのある中低域によるパワフルな響きを実現しています。 まとまりのあるサウンドは、コードストローク、またはリズミックなフィンガースタイルの演奏に最適です。

<側裏板にはマホガニーソリッドを採用>
Side/Backにはソリッドマホガニーを採用。マホガニーならではの暖かみある豊かな中域を実現しています。

<牛骨仕様の上駒・下駒>
上駒や下駒には牛骨(#5グレードのみ)を採用。牛骨は非常に硬く、弦からネック、胴体にかけてより効果的な音の伝達を実現します。牛骨ナットの装着や調整には高い技術が要求され、日本国内で熟練したギタークラフトマンの手によって1本1本丁寧に製作しています。

<新開発スキャロップドブレイシング>
理想的な暖かみのある音色の獲得を目指し、最新の音響解析シミュレーション技術を駆使した疑似試作と木工製作による試作を組み合わせ改良を重ねています。FG/FS#800シリーズに採用されているスキャロップドブレイシングに対して、木材自体の特性やFG,FSそれぞれの同型にあわせて最適化し、更なる低域の拡充を実現しました。

<A.R.E.(Acoustic Resonance Enhancement)加工>
表板には、ヤマハ独自のAcoustic Resonance Enhancement(A.R.E.)を施しています。温度、湿度、気圧を高精度に制御することにより、製材後長期間を経た木材の経年変化と同様の変化を短期間で生みだすことによって音の伝達と振動効率を上げ、中低音成分の伸びの促進と高音成分の立ち上がりの増大や減衰の高速化を実現。A.R.E.処理を施すことにより、バランスが良く耳障りな倍音成分の少ない熟成された温かみのあるサウンドが得られ、何年も弾き込んだギターのような音を作り出します。

<新開発「Atmosfeel」ピックアップシステム搭載>
新開発Atmosfeel(アトモスフィール)の3Wayピックアップシステムは、アンダーサドルのピエゾセンサーが中低域を、プリアンプに搭載されたマイクが低域を、独自開発の非常に薄いコンタクトセンサーが高域を、3つの異なるピックアップが各音域を確実に捉えます。 薄くて耐久性のある圧電性合成紙を使ったコンタクトセンサーを内部(ブリッジ裏近く)に加えることで、従来のピックアップでは拾いきれなかったサウンドホールから出る弦振動のまとまり、一弦ごとの余韻、フィンガリング時のタッチ感、高音域の倍音成分によってもたらされる空気感や繊細な音を再現。アコースティックギターを生音で弾いている時の感覚をそのままラインアウトします。

主な仕様
胴型フォークタイプ
胴長497mm
胴幅(最大幅)380mm
胴厚90-110mm
弦長634mm
全長1021mm
指板幅(上駒部/胴接合部)44mm/55mm
表板シトカスプルースソリッド A.R.E.
ブレーシング形状スキャロップドブレイシング
裏板マホガニーソリッド
側板マホガニーソリッド
棹マホガニー
指板黒檀又は縞黒檀
下駒黒檀又は縞黒檀
下駒枕牛骨
糸巻クルーソン オープンギア(Y1D)
上駒牛骨
塗装セミグロス仕上げ
ピックアップシステムSYSTEM74(ハイブリッド3WAYシステム)Atmosfeel
コントローラーEQ(Bass)/Master Volume/Mic Blend
シリアル:IIY245A
重量:2.14kg
付属品:ハードケース、サウンドホールカバー、電池

Payment and Shiping

Products are shipped from Japan after the order is processed, Shipping costs are calculated automatically at the checkout page when you select your destination. , Ship worldwide by Japan Post.

Founded in 1938, Ishibashi Music Corporation is one of the busiest and most respected Musical Instrument retail chains in Japan. The company is highly regarded world wide as a reliable seller of top quality secondhand items too. We have over 13 stores around Japan including Tokyo, Yokohama, Chiba, Nagoya, Osaka, Hiroshima,Fukuoka and Shanghai(China). Ishibashi Music Corporation also handles large amounts of NEW, USED and VINTAGE instruments.

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Please Note

The items name with "USED" are used items, and comes as shown in the pictures so there may be marks of use. All items were tested by our store staff and we test each item one more time before shipping them out to make sure they are fully functional.

All items for sale on ISHIBASHI MUSIC are stock currently available from all of ISHIBASHI stores around Japan. So it might take a few days for shipping.

And there is a chance that they may sell out in our retail location beforehand.

In that case we will cancel the order and refund any payments received.

Buyers are responsible for any and all duty and customs charges that may be incurred.These charges are are not included in the item price or shipping charges.

Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying.

These charges are normally collected by the delivering courier company or when you pick the item up.

We are sorry, but we cannot alter the product price upon shipping nor can we call your purchase a gift.

If you want to know about tariff, please consult Customs.

Our business days are from Monday to Friday. We do not ship products on the weekends.

PACKING BOX SIZES

ABOUT US

Ishibashi Music Corporation is one of the largest and most respected Musical Instrument retail chain stores in Japan. The company is highly regarded world wide as a reliable seller of top quality USED and VINTAGE instruments.

Domestically the Ishibashi Music Corporation also handles a large amount of NEW inside of Japan. We have over 11 stores around Japan including Tokyo, Yokohama, Chiba, Nagoya, Osaka, and Fukuoka. Not all of the items you purchase from us are in our Shibuya store in Tokyo where we do all of our international communications from.

Please be patient while we do inter-company transfers on your items. The usual wait time for our shipping is 7 to 10 days worldwide. We are open from 10:00am until 6:00pm (Tokyo time zone)

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